Showing posts with label Mangaquake. Show all posts
Showing posts with label Mangaquake. Show all posts

Monday, 27 December 2010

Some Comic News

While there hasn't been a heck of a lot happening on the prose front lately that I haven't already posted about -well, except for the ginormous bit of news that I can't mention yet - there have been a few fun and interesting developments on the comics front.

I've talked a few times about my script Endangered Weapon B, which has had a troubled existence so far, to say the least.  The gist of that backstory is that I wrote it for Futurequake Press's imprint Mangaquake, the editor there picked it up but suggested some major alterations - expanding the story and changing the titular protagonist from a panda because some other studio did a lot of books with pandas in - and then, months later, told me it wouldn't be getting published after all because Mangaquake had folded.

So that sucked.  But not to be defeated ... well, actually, I did kind of give up for a while there, since there aren't a heck of a lot of places that take short comic scripts, to say the least.  After a few months, though, I got around to doing a bit of market research, and discovered the neat-looking Underfire Comics.  I sent Endangered Weapon to the editor there, Bob Molesworth, and he also really liked it.

A month or two after that, I was contact by Duncan Kay, who did a completely brilliant job of illustrating my story The Unleashing of the Ineffectual for the recently-released Something Wicked #6.  Duncan asked if I had anything going and I mentioned Endangered Weapon.  Duncan liked the script too, and said that he'd like to draw it, which was fine with me.

Then some more time passed, I likely got distracted by something shiny, and before anyone knew any better it was last month.  Duncan got back in touch again to say that he'd started on some concept sketches, and at that point I figured I'd better get in touch with Bob again to see what was what.

At which point, I found out that Bob had finished drawing, colouring and lettering my script.  And that he'd done a ridiculously great job of it.

Since, due to me shabby lack of research, I had no idea that Bob was even an artist, this came as a bit of a surprise.  A good surprise, though, all told, since like I said it looks fantastic, and especially since Duncan was cool about the whole thing and suggested that rather than pass up on the opportunity to work together again we start thinking about putting together some kind of comics collective and involving all his hugely talented professional artist mates in it.

So the upshot is that Endangered Weapon B is pretty much finished and just waiting while we figure out how to get it out there, and that I've been insanely busy attempting to churn out scripts that Duncan and his mates can draw. Which, considering that a month ago this whole comics thing was little more than a fun sideline, is both interesting and quite exciting.  Will it come to anything?  Well, I hope so, and there's plenty of enthusiasm going around, so I'd say that right now the signs are good.

Wednesday, 12 May 2010

Endangered Weapon Slightly Less Endangered Than a Week Ago

I posted a while back on the fact that my third comic script, currently titled Endangered Weapon B, had found itself looking for a new home after the magazine I'd written it for went the way of the Dodo itself.  This was a hard blow, not just for me personally but for the entirety of global civilisation, which I firmly believe is psychically crying out - even if it doesn't know it - for a comic featuring a mechanized grizzly bear, Nazi space dolphins, and a mad Norse-god-worshiping scientist going to extreme lengths to cure his "unfortunate social sicknesses".  Of course, the only way I can prove this perhaps vain-seeming theory is to get the thing in print, at which point I'm confident that world peace will ensue, or something equally unlikely.

Anyway, point is, I think I may have found a new publisher for Endangered Weapon B.  Since it's very early days, I won't say any more for the minute, except that they've put out some really nice-looking books in the past and it'll be immensely neat if it comes off.

Monday, 22 February 2010

Endangered Weapon Faces Extinction

Some bad news this week, perhaps as mean-spirited cosmic penance for the week-before-last's truly awesome news: Mangaquake, the Futurequake Press comic that was to be publishing my strip Endangered Weapon B, is sadly no more.  This is a big loss for the ever-dwindling UK small press and a blow for anyone who likes stories about bears in robot armour pumelling Nazi space dolphins on the moon - which I guess is realistically just me. 

Well, the world may never know what it's missing, because I have absolutely idea where else to send it.  I will of course have a dig around, and hopefully find a new home for Endangered Weapon.  Kidding aside, I think it's a really strong script, and I'm not ready to give up on it just yet.  If anyone reading this knows of anywhere that might be interested in ten pages of somewhat Manga-inspired comedy sci-fi featuring grizzly on dolphin violence then I'd be hugely grateful.  Likewise, if anyone with comic art experience fancies a rather surreal illustrating challenge then please get in touch, either by leaving a comment or e-mail me at contact@davidtallerman.net.

Sunday, 1 November 2009

October Wrap Up

Just a quick post to report a few belated odds and sods of October news:

Well, the month was a bit of a triumph, all told, with a couple of very strong sales and three acceptances for non-paying but fun venues. Of the latter, and not to denigrate the other two, I'm currently most excited about the picking up of my comic strip for Mangaquake, since I've just finished the new edit. It's now called Endangered Weapon B, after its grizzly-bear-in-robot-armour hero Banjo, and it comes in at ten pages, twice as long as Fleshworld (as printed in Futurequake #10) or my forthcoming strip in Something Wicked. It's been fun to decompress the story, and I think that this is the definite high point of (my admittedly limited!) comics work so far. In short, I'm chuffed with it, and can't wait to see what an artist makes of those ten pages of utter dementedness.

I'd hoped to have a couple of things out this month, but neither has materialised; on the plus side, the anthology from Comet Press that's to feature my Rindelstein's Monsters now has a fantastic cover, a neat webpage all of its own, a release date at the back end of November, and perhaps most importantly, a name - The Death Panel. I've seen a copy of the galley, and I can say with only a hint of bias that this one is going to be awesome.

Last up, I found yet another review of The Living Dead, which is both staggeringly thorough and singles out Stockholm Syndrome for credit - in the shape of a 4 out of 5 rating. At least, I hope it's out of five, and not say, seventy-three. Either way, cheers to reviewer Gregory Tidwell.

Wednesday, 14 October 2009

Mangaquake Do Their Bit For Endangered Species

Just when I was thinking that the good news had dried up for the month, Richmond Clements - editor of Futurequake Press's Mangaquake - got in touch to say that, yes, he'd like to use my script Endangered Weapon P. It's the touching tale of a an insane professor, his kidnapped prospective wife, Nazi dolphins and the titular endangered weapon, who will have to remain a suprise for the moment because I've inadvertently found myself stepping on the black-and-white fuzzy toes of an established property. Richmond has suggested a quick species change for my protagonist, lest we both get sued, and I'm happy to consent. He's also asked that I decompress it a bit and give the story more room to breath. More pages of demented, Nazi-dolphin bashing madness? Yeah, I think I can stretch to that.

While I'm here, a link that I meant to post over the weekend: Mr Howell's title, Why science fiction authors just can't win, says it all - and it needs saying. Genre literature has never been more significiant or influential, sci-fi has never been more prevalent in film and television, and yet a writer like Margaret Atwood can still raise her nose at the very notion of her work being science-fiction and ninety-nine percent of the mainstream literary establish will rush to clap her on the back. Come on, people! To the barricades!