Showing posts with label Princess Mononoke. Show all posts
Showing posts with label Princess Mononoke. Show all posts

Wednesday, 27 November 2013

Thought Bubble 2013

It was tempting to come up with some rubbish pun title, "Thoughts on Thought Bubble" or something like that, and I might even have done it if it weren't for the realization that I'd then have to come up with an even more rubbish pun title if I go next year, and on and on, until I either went mad with the effort or had to stop attending altogether.  And that would be a shame, because I enjoyed my one afternoon of Thought Bubble, and would very much like to go again next year, and actually make an effort to attend a few things and do more than wander around being slightly distracted.

Lavie's I Dream of Ants: Odd.
But now that I think about it, haven't all of my Con reports gone that way of late?  The truth is that, more even more so than World Fantasy, Thought Bubble had the distinction of being my One Con Too Many this year, the one where Con exhaustion really kicked in with a vengeance.  Unfortunately, the same went for Lavie Tidhar, who'd come to stay with me over the weekend and have his own first look at TB*, and who has done even more of these things than me this year, and the net result was that between us we had just about enough energy and enthusiasm for one mildly energetic and enthusiastic Con goer, which frankly was never going to cut it.

And like I said, that turned out to be a shame, because Thought Bubble was interesting and intriguing, and actually very different from anything I've been to before; more, in fact, what I'd (perhaps ignorantly) consider an Expo than a Convention, with a quite staggering number of stalls spread over three very large rooms.  It was a bit overwhelming, really, and most of the three or four hours we spent there on Saturday were eaten up with wandering around and randomly chatting to people and feeling a bit bewildered by the whole thing.

My Princess Mononoke print: Awesome.
Which doesn't sound like a great deal of fun, now that I read it back, but it was. I ran into some of my favourite industry friends and acquaintances, including such kind souls as Adrian Tchaikovsky, Paul Cornell and Alasdair Stuart, got to hang out with superstar artist Mr Bob Molesworth and to meet our Endangered Weapon B publisher Harry Markos; Lavie bought me a copy of his Murky Depths Press book I Dream of Ants, (which is, frankly, downright odd); I picked up a gorgeous Princess Mononoke** poster by the excitingly talented Cristian Ortiz, and ... well, I can't remember what else.  This is what happens when you post about events half a week after they happened.

Anyway, in retrospect, we should probably have left before the bizarre school disco-style party that followed the main event on the Saturday night, and I should definitely not have let Lavie talk me into going clubbing after that, because frankly I'm just too damn old, or at the very least too damn tired.  But stupid is as stupid does, as a wise man once said, and what doesn't kill you gives you a hell of a headache the next day, and all in all it was a good day so, in the end, who's complaining? 




* Wow, that's a really unfortunate abbreviation.
** Possibly my favourite film of all time.  There, I've said it!

Sunday, 4 December 2011

Film Ramble: The Beginner's Guide to Anime (Part One)

A few weeks ago I was talking movies with my cousin Stuart (who, by the way, happens to be a terrific photographer - see here), and by way of me pointing out how Inception is awfully similar to Satoshi Kon's brilliant Paprika, he explained that he'd never been able to get into anime because he didn't know where to begin.

I promised I'd drop him over a list of a few films that would let him ease his way in.  Then I forgot all about it.  Then a few days later, I remembered.  Then it occurred to me that said list would make a good blog post, since I've noticed a few times that even amongst genre fans, there seem to be plenty of people who don't go anywhere near anime.  I'm not sure why that is, but my guess is that they've heard about the more cliched aspects of the genre and just aren't turned on by the thought of Japanese schoolgirls piloting giant robots.

But the truth is that statistically only 76% percent of anime feature schoolgirls, a mere 82% include giant robots, and a paltry 43% have both together.  That still leaves plenty of room for other stuff.  And I'm not talking tentacle-porn here.  There are a whole host of anime movies that don't have any Japanese schoolgirls, giant robots or tentacle-porn.

Okay, so maybe anime can be a little impenetrable at times.  So with that in mind, I've gone ahead and made my list.  It definitely isn't a top ten, since I'm hardly qualified to write one.  Instead, it's a list of ten utterly fantastic films that I'd like to think just about anyone who enjoys a good movie can get something out of.

Or at least it's part one of said list.  Because they just don't make these weekend things long enough anymore.

Ghost in the Shell

I'm always mystified when I come across sci-fi fans that haven't seen Ghost in the Shell.  Fifteen years on, Mamoru Oshii's meditative, visceral cyberpunk classic still feels futuristic, and its animation and imagery remain stunning.  It spawned a sequel and a TV series, and all of them rate amongst the finest science fiction ever put to film.


 


Summer Wars

The most recent movie on this list, Summer Wars is a masterpiece of  over-ambition. Director Hosoda somehow rolls together family drama, comedy, romance, a mind-blowing cyberworld and sharp social critique into one mad, exhilarating and constantly entertaining package that never loses its footing.  Perhaps more than anything here, Summer Wars is a great first step into the world of anime.



Akira

Akira's awesomeness has become a bit of a cliche, as year by year it continues to resist looking or feeling dated.  Bizarre posthumanism, ultraviolence, a lavish attention to detail and the coolest motorbike ever conceived by human minds all add up to make Akira one of those movies that can somehow influence just about everything that follows it and yet still seem completely fresh.



Princess Mononoke

Every film Hayao Miyazaki  has ever made could argue its way into a top ten of great anime movies.  But for me, Princess Mononoke was the wake-up call.  A better fantasy film has never been made, and for once the US dub did it full justice, with Neil Gaiman on translation duties and a cast including Claire Danes, Billy Crudup and Gillian Anderson.  Mononoke is glorious, exhilarating myth-making that makes most western equivalents look hopelessly unimaginative by comparison.



Metropolis

No, not that Metropolis.  Except ... well, it sort of is.  Imagine Fritz Lang's masterpiece as an animation incorporating cutting edge CGI (well, ten year old CGI that still looks cutting edge) and refracted through the weird lens of Japanese culture and maybe given a little of the heart that was missing from the original, then chuck in a couple of traditional anime tropes taken in unexpected directions and dial it all up to eleven - and you'll have something a bit like director Rintaro's modern classic.  Only not quite so brilliant.