My contributor copies of Space and Time # 107 arrived this morning, and my but it's a beautifully put-together magazine. One of my biggest gripes with the genre publishing industry is that art has become a poor second to story; many editors have given up on it altogether, and many of those that haven't pay it far less than the attention it deserves. Not so S & T. I've already commented on Steven Gilberts's gorgeously lurid cover; thankfully the interior art more than keeps up. My thanks and huge respect go out to Martin Hanford, whose superb illustration accompanies my In the Service of the Guns.
I'm sure I've said this before, but getting a story illustrated is just about my favourite part of being a writer. To see something you've imagined through someone else's eyes, in a different medium no less, is a weird and wonderful experience. Before I settled on writing I wanted to be an artist (and still have vague plans of taking up drawing again) and I have huge respect for anyone who can draw well. I've learned to appreciate that there's far more involved than mere technical skill - a good genre illustrator needs just as much story-telling ability as the writers he illustrates.
So thanks again to Martin, and to the Space and Time crew for putting together something I'll be proud to wave in the faces of frightened strangers.
I'm sure I've said this before, but getting a story illustrated is just about my favourite part of being a writer. To see something you've imagined through someone else's eyes, in a different medium no less, is a weird and wonderful experience. Before I settled on writing I wanted to be an artist (and still have vague plans of taking up drawing again) and I have huge respect for anyone who can draw well. I've learned to appreciate that there's far more involved than mere technical skill - a good genre illustrator needs just as much story-telling ability as the writers he illustrates.
So thanks again to Martin, and to the Space and Time crew for putting together something I'll be proud to wave in the faces of frightened strangers.
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