Showing posts with label john joseph adams. Show all posts
Showing posts with label john joseph adams. Show all posts

Sunday, 23 June 2013

The Living Dead Lives On

John Joseph Adams's anthology The Living Dead was beyond a doubt my first taste of being a professional writer.  In fact, it possibly set the bar a little high for what was to follow.  What could be more of a dream come true for a novice writer to see their story nestled between tales by Clive Barker and Joe Hill and in the same TOC as Stephen King and George R R Martin, or to be in a book that would go on to be so hugely successful, critically acclaimed and award nominated, and arguably end up being the definitive compilation for an entire sub genre?

I'd been wondering what was to come of The Living Dead after original publisher Night Shade's much-publicized troubles, so it was welcome news when John got in touch to let me know that it would be shambling on under the auspices of Orbit, in UK e-book edition at least, and with a striking new cover to boot.

If you have the faintest interest in zombie fiction or good horror stories in general, The Living Dead is definitely one of the best anthologies I've read, let alone been in.  You can find the new edition here on Amazon, and here's a post on the Orbit site where some of the contributors - myself included - say a little about where these stories came from.

Sunday, 4 November 2012

Signs and Nightmares

One of my regrets this year is that I've been so busy with novels and other big projects that not have I not been able to write any new short stories, I haven't even had time to send out the ones I've already written.  In fact, until recently, the closest I've come is editing some of the backlog I've been stockpiling over the last four years.

That's changed a bit in the last couple of months, with the first draft of Prince Thief done and dusted, and the extra hard work of beginning to tout some twenty stories began to pay off last week, when John Joseph Adams accepted my The Sign in the Moonlight for his new horror webzine Nightmare.  Considering that my first sale to John, Stockholm Syndrome, appeared in the World Fantasy Award nominated anthology The Living Dead, and my second was Jenny's Sick, published in Lightspeed during its multi-Hugo nominated first year, I've got to admit I have some hopes and expectations for this one.

As for The Sign in the Moonlight itself, I'm sure I'll talk about it plenty when it comes out.  For the moment, suffice to say that it was one of the most satisfying but also bizarre writing experiences I've ever had.  Acting completely out of character, I did a ton of research - into Alesteir Crowley, rock climbing, Tibet and the mountain of Kanchenjunga, amongst other things - and the stuff I came up with was almost too perfect for the tale I wanted to tell ... so much so that I got quite spooked before I was done.  Then, once it was finished, I weirded myself out even more when I discovered that the final word count was 5555; an odd coincidence given how significantly and often the number five occurs throughout the story.

(Go on, just guess how many points that sign in the title has!)


Saturday, 2 June 2012

Help Kickstart a Nightmare

It's always good when life just hands you a wacky blog title post out of nowhere.

Don't go through the scary door.
In this case, I had an e-mail earlier this week from John Joseph Adams, who you may or may not - but probably have - heard of as editor (and as of recently, publisher) of professional web magazines Lightspeed and Fantasy, not to mention any number of anthologies - one of which, The Living Dead, provided my first big short fiction break.  Turns out that John is looking towards completing his genre publishing empire by adding a little horror to that line-up, in the form of a new webzine to be known as Nightmare.

Obviously, this is very good news - because there just aren't that many pro horror markets, and John is a terrific editor, both in the sense that he puts out some fine fiction* and in the sense that he manages to achieve commercial successes in a field that people are constantly trying to declare unprofitable, unfeasible or downright dead.

Both of those points are particularly relevant here, because the reason John got in touch was that he's planning to fund the initial getting-off-the-ground of Nightmare using Kickstarter.  For anyone unfamiliar, Kickstarter is basically a method of funding creative projects, which lets people pledge potential investments, in return for rewards should the project go ahead.  In this case, the rewards are things like issues and subscriptions, or if you really have some serious cash to throw around, unique print editions and samples of John's blood and toe nail clippings**.

Basically then, the idea is that you get to read an issue of or subscribe to what will inevitably be one of the best horror magazines around, based on the facts that John knows his stuff, is already editing excellent fantasy and sci-fi magazines and has some top fiction cued up for issue one.

A completely and utterly irrelevant picture I found somewhere.
This makes an emminent amount of sense to me, so I have no problem with promoting it in whatever limited fashion I can - even though other people who were quicker off the mark than me have already helped John kickstart the crap out of his target.  Still, all that means is that if you choose to chuck a bit of money at Nightmare now, you know for sure that you'll be getting an issue / subscription / unique genetic sample.***

Anyway, here again is the official Nightmare Kickstarter link, which explains everything at least nineteen times more coherently than I just did.


* In my ridiculously biased opinion, obviously, since John also took my story Jenny's Sick for Lightspeed.
** An obvious lie on my part.
*** Still a lie.

Sunday, 27 November 2011

Lightspeed Year One Anthology Out (Also, Gigantic)

For a long, long time I made a point of reading every word of every publication I had work out in.  It was partly to judge what I'd signed on to, of course, and partly to see what other writers were up to.  But mostly it just felt like the right thing to do.  So much effort had gone into that book or magazine, some of it was mine, and knowing how much it meant for me that people read my story seemed a damn good reason to read everyone else's.

So it's been one of the sadder aspects of this crazy year that I haven't had the time to do that anymore.  My reading time is more limited that ever before, a few stolen minutes before bed and the occasional lunch break.  But maybe more than that, there's been the tectonic, life-redefining game-changer that is the Giant Thief deal.  As my writing focus has shifted drastically towards novels, my reading has necessarily followed, leaving me next to no time for short stories or anything much else.
One thing's for sure, though.  I'm going to read the Lightspeed Year One anthology from cover to cover if it kills me.

Which it might.  Because the thing is huge.  We're talking forty-eight stories here ... if you drop that on your toe, it's going to hurt.  And if that happens while you're driving a car or piloting a zeppelin or some such, there's a very real chance of violent death.  

Not that I'm planning to read it under those circumstances.  I'm more thinking of curling up with it over my Christmas break, maybe with a glass of cheap sherry close at hand.  In fact, I'll be doing everything I reasonably can to minimise the life-threatening aspects of the experience, because I'd really like to just chill and enjoy this one.  SF's pretty much my favourite genre when it comes to short fiction, and by most accounts, the stuff John Joseph Adams put out in his first year is high amongst the best that anyone's published over the last twelve months.  Plus there are those reprints of classic tales, quite a few of them by people I'm hopelessly in awe of.  I mean, Joe Haldeman?  The Forever War was one of the books, maybe even the book, that brought me back to sci-fi after a far-too-long sabbatical - and later, Forever Peace blew my mind almost as much.  Then there's Orson Scott Card, Stephen King, Ursula K. Le Guin - all writers who changed my perceptions of what it was possible to do with genre fiction, not to mention teaching me what I wanted to do with it.  One thing I haven't stopped doing this year is geeking out to a ridiculous degree when I see my name alongside my writerly heroes.

Finally, while I'm nearly on the subject ... it was great to stumble over the news that John J Adams has taken over ownership, on top of his existing editorship, of both Lightspeed and Fantasy from Prime Books. John's a terrific editor, I'm sure he'll be a terrific publisher, and I wish him the best of luck.

Tuesday, 1 June 2010

Lightspeed Launches!

New Online Science Fiction Magazine Lightspeed Launches

FOR IMMEDIATE RELEASE:
Contact: publicity@lightspeedmagazine.com


ROCKVILLE, MD, JUNE 1 -- Lightspeed, lightspeedmagazine.com, the new online science fiction magazine published by the award-winning independent press Prime Books, launches today with the publication of "I'm Alive, I Love You, I'll See You in Reno" by Vylar Kaftan.

Lightspeed is edited by John Joseph Adams (Fiction Editor), the bestselling editor of anthologies such as Wastelands and The Living Dead, and Andrea Kail (Nonfiction Editor), a writer, critic, and television producer who worked for thirteen years on Late Night with Conan O’Brien.

Lightspeed's focus is exclusively on science fiction. It features all types of sf, from near-future, sociological soft sf, to far-future, star-spanning hard sf, and anything and everything in between. No subject is considered off-limits, and Lightspeed writers are encouraged to take chances with their fiction and push the envelope.

Each month at Lightspeed, you will find a mix of original and reprint fiction, and featuring a variety of authors—from the bestsellers and award-winners you already know to the best new voices you haven’t heard of yet. When you read Lightspeed, it is our hope that you’ll see where science fiction comes from, where it is now, and where it’s going.
Lightspeed also features a variety of nonfiction features, fiction podcasts, and Q&As with our authors that go behind-the-scenes of their stories.

Lightspeed's regular publication schedule each month includes two pieces of original fiction and two fiction reprints, along with four nonfiction articles. Fiction posts on Tuesdays, nonfiction on Thursdays. Additionally, award-winning audiobook producer Stefan Rudnicki, will be producing the Lightspeed Magazine story podcast, which will feature audio adaptations of two Lightspeed stories every month.

Lightspeed's debut issue features four all-new, never-before-published stories: from newcomer Vylar Kaftan, an interstellar love story dealing with the perils of communication and time-dilation; from bestselling, award-winning author Jack McDevitt, a tale about Earth’s moon and the mysteries it might still possess; from David Barr Kirtley, an adventure of a young catman who must face the last of the dogmen and something else entirely unexpected; and from bestselling author Carrie Vaughn, a cautionary tale of the near future that shows some of the extremes we might be pushed to if we don’t start implementing now the seeds for a sustainable future.

Additional features include an article about relativity and the speed of light by astronomer/author Mike Brotherton; a list of the top ten reasons why genetically-engineered animals won't make good pets by humorist Carol Pinchefsky; a profile of astronaut Eugene Cernan, the last man to walk on the moon, by Genevieve Valentine; and a primer for sustainable living by ecologist Amanda Rose Levy.

As a special feature of the debut issue, in conjunction with the popular podcasts Escape Pod and Hugo Award nominee Starship Sofa, Lightspeed will present two bonus podcasts: "I'm Alive, I Love You, I'll See You in Reno" by Vylar Kaftan will appear on Escape Pod on June 1 and "Cats in Victory" by David Barr Kirtley will appear on Starship Sofa on June 15. This is in addition to the Lightspeed Magazine story podcast's offerings, which will present "The Cassandra Project" by Jack McDevitt and "Amaryllis" by Carrie Vaughn.


Future issues of Lightspeed will include fiction by the likes of George R. R. Martin, Joe Haldeman, Ursula K. Le Guin, Carol Emshwiller, Catherynne M. Valene, Tobias S. Buckell, Tananarive Due, Yoon Ha Lee, Cat Rambo, and Adam-Troy Castro, as well as from newcomers such as Genevieve Valentine, Alice Sola Kim, David Tallerman, John R. Fultz, and Corey Joshua Mariani.

Lightspeed held a launch event at the science fiction convention Wiscon, in Madison, WI on Memorial Day weekend. Limited edition Lightspeed Magazine samplers in digest magazine format were made available for free to all members of the convention. This special hardcopy edition of Lightspeed features "I'm Alive, I Love You, I'll See You in Reno" by Vylar Kaftan, "Is There Anybody Out There That Wants to Go Fast" by Mike Brotherton, "Amaryllis" by Carrie Vaughn, and an Author Spotlight on Carrie Vaughn. The launch event included readings from Vylar Kaftan, Alice Sola Kim, Cat Rambo, and Genevieve Valentine.

About John Joseph Adams (Fiction Editor)

John Joseph Adams (www.johnjosephadams.com) is the bestselling editor of many anthologies, such as Wastelands, The Living Dead (a World Fantasy Award finalist), By Blood We Live, Federations, and The Improbable Adventures of Sherlock Holmes. Barnes & Noble.com named him “the reigning king of the anthology world,” and his books have been named to numerous best of the year lists. Prior to taking on the role of fiction editor of Lightspeed, John worked for nearly nine years in the editorial department of The Magazine of Fantasy & Science Fiction. In addition to his editorial work, John is also the co-host of Tor.com’s Geek’s Guide to the Galaxy podcast.

About Andrea Kail (Nonfiction Editor)

Andrea Kail (www.andreakail.com) is a graduate of the Dramatic Writing Program at NYU’s Tisch School of the Arts and has spent the last two decades working from one end of New York’s television spectrum to the other: HBO, MTV, A&E, Nickelodeon, Comedy Central, as well as thirteen years at NBC’s Emmy Award-winning Late Night with Conan O’Brien. Her fiction has appeared in Fantasy Magazine, and her novella, “The Sun God at Dawn, Rising from a Lotus Blossom,” was a first-place winner in the Writers of the Future contest and appeared in Writers of the Future Vol. XXIII.  Since 2005, Andrea has also been writing lively film criticism for such venues as Paradox Magazine and CinemaSpy.

About Stefan Rudnicki (Audio Editor)

Stefan Rudnicki is an independent director, producer, narrator, and publisher of audiobooks. He has received more than a dozen Audie Awards from the Audio Publishers Association, a Ray Bradbury Award, a Bram Stoker Award, and a GRAMMY Award for Best Spoken Word Album for Children for The Children’s Shakespeare. Outside of the audiobook industry, he’s probably best known for the dozen books he’s written or edited, from actor’s resource anthologies to a best-selling adaptation of Sun Tzu’s The Art of War. He is also president of Skyboat Road Company, Inc. (www.skyboatroad.com), the most respected independent audio production team on the West Coast. 

About Prime Books

Prime Books (www.prime-books.com), edited and published by Hugo Award-nominee and World Fantasy Award-winner Sean Wallace, is an award-winning independent publishing house specializing in a mix of anthologies, collections, novels, and magazines. Some of its established and new authors/editors include John Joseph Adams, KJ Bishop, Philip K. Dick, Theodora Goss, Rich Horton, Nick Mamatas, Sarah Monette, Holly Phillips, Tim Pratt, Ekaterina Sedia, Catherynne M. Valente, and Jeff VanderMeer.

Contacts

Sean Wallace, publisher, sean@lightspeedmagazine.com
John Joseph Adams, fiction editor,
john@lightspeedmagazine.com
Andrea Kail, non-fiction editor,
andrea@lightspeedmagazine.com

Lightspeed's complete posting schedule for June 2010 follows:

June 1

Fiction: "I'm Alive, I Love You, I'll See You in Reno" by Vylar Kaftan
Author Spotlight: Vylar Kaftan
Podcast: "I'm Alive, I Love You, I'll See You in Reno" by Vylar Kaftan (on Escape Pod)
Editorial by John Joseph Adams

June 3

Nonfiction: "Is There Anybody Out There That Wants to Go Fast" by Mike Brotherton

June 8

Fiction: "The Cassandra Project" by Jack McDevitt
Author Spotlight: Jack McDevitt
Podcast: "The Cassandra Project" by Jack McDevitt, narrated by Stefan Rudnicki

June 10

Nonfiction: "The High Untresspassed Sanctity of Space: Seven True Stories about Eugene Cernan" by Genevieve Valentine

June 15

Fiction: "Cats in Victory" by David Barr Kirtley
Author Spotlight: David Barr Kirtley
Podcast: "Cats in Victory" by David Barr Kirtley (on Starship Sofa)

June 17

Nonfiction: "Top Ten Reasons Why Uplifted Animals Don't Make Good Pets" by Carol Pinchefsky

June 22


Fiction: "Amaryllis" by Carrie Vaughn
Author Spotlight: Carrie Vaughn
Podcast: "Amaryllis" by Carrie Vaughn, narrated by Stefan Rudnicki

June 24

Nonfiction: "Every Step We Take" by Amanda Rose Levy

Friday, 12 February 2010

Jenny's Sick at Lightspeed

It's always nice when these blog post titles make a degree of sense.  It seems perfectly likely that Jenny (whoever she might be) would get a little green around the gills if she was travelling at the speed of light.  And, by coincidence, I've just sold my story Jenny's Sick to new pro-rate market Lightspeed.

It would be hard to exagerate just how awesome this news is.  To give an idea, though, a few facts: when it launches in June of this year, Lightspeed will be the sisterzine of the established and hugely respected Fantasy Magazine.  It's editors are no less than Writers of the Future winner Andrea Kail and best-selling anthologist John Joseph Adams.  Yeah, that John Joseph Adams - the one who accepted my Stockholm Syndrome for his zombie anthology, which went on to become The Living Dead, which went on even further to sell shocking amounts of copies, be a finalist for the World Fantast Award, be named one of the best books of the year by Publisher's Weekly, and to generally kick ass. 

I think John - who, by the way, is one of the downright nicest and most positive editors I've worked with - may possibly be my patron saint or something.  He's certainly done my bank balance huge favours.  I could sing his praises all day, and I could sure as hell go on about how excited I am to be appearing in Lightspeed, but I've run out of fizzy wine so here instead is Lightspeed's press release, saying everything I'd want to say in a much calmer fashion.

Sunday, 11 October 2009

Stockholm Syndrome Pays its Way and Then Some

On Wednesday I received my first royalty payment for The Living Dead anthology, published last year by Night Shade Books - which coincidentally was my first royalty payment full stop. I can't go into exact details, for a number of reasons, but suffice to say it was rather more than I was expecting. I've since had a brief e-chat with editor John Joseph Adams, who let me in on the exact sales figures. Again, I should probably keep them under my hat, and will say simply that The Living Dead has sold amazingly well, and continues to do so.

I'd like to lay all the credit for this at the door of my entry, Stockholm Syndrome - which if you're too cheap to buy the book you can read here or listen to in podcast here - but I guess that some of it has to go to that Stephen King bloke, and all the other great authors assembled therein. But mainly I think the blame for its absurd success lies with Mr Adams, for putting together such an inspired collection and then backing it to the hilt. Congratulations to him, to all the other authors, and to Night Shade, who I suspect will be rather pleased with its performance. Here's hoping it continues to find, entertain and gross out new readers well into the next decade.